Charleston, South Carolina is one of the hottest vacation destinations in the country right now. It offers a rich background of American history, world-class dining, and unmatched beauty. While it is tempting to plan a vacation just in the historic downtown, you’re really missing out on a big part of Charleston’s culture if you skip the beach.
You can’t beat restorative time on the beach. Bring a kite or a Frisbee to toss around while you soak up the South Carolina sun. Enjoy the sweet briny waters and the distinct charms of all of the local beaches to really take in the coastal cultures surrounding Charleston and connect to the unique personality of every beach retreat. (more…)
If you’re a long-time Charlestonian, chances are you’ve lived in a Charleston single house at some point in your life. Many visitors have come away remembering this iconic Charleston architecture. Charleston singles are, after all, common throughout the peninsula and beyond. From the mansions South of Broad to modest neighborhoods extending past the crosstown, the Charleston single is part of the city’s makeup and charm.
So what makes up a Charleston single house? Several things, like its long, narrow shape, distinguish the style from others, while the somewhat private porch is often the most favored feature of all. Of course, there’s rhyme and reason to its design, mainly relating to local conditions — namely the city’s hot and humid summers. Yes, even centuries ago, Charleston was known for being muggy on summer days and sultry in the evenings!
Here are a few of the features you’ll find in a Charleston single house and reasons behind their particular design:
1. Long, narrow shape
In order to build a single house, you need only a long, narrow lot, which is how the city was laid out in its early days. The tall, slender homes are typically placed quite closely to the neighboring home, perhaps too close for comfort in some cases. The single house has a narrow side, with the long side of the house – the traditional “front” – being perpendicular to the street. The plain, short facade is what faces the street.
While the house is long and narrow, it is also only one room wide, when viewed from the street — which gives the single house its name! But what the home lacks in width it makes up for in length and height. As mentioned before, the house is quite long, while many Charleston single houses are also several tiers high.
3. The Front Door
What may appear to be a front door — the one facing the street — is only an entrance to the private porch. The actual front door is down the middle of the porch. This was intended to give more privacy to the homeowners during the more modest Victorian period.
4. Interior Layout
Though the architectural form of the single house comes in everything from Federal to Victorian styles, the most consistent feature will always be its interior layout. A front door along the long side of the house leads you into a foyer and stairwell, and there’s a room to the left, usually a bedroom, and to the right — which normally serves as the living room, with the kitchen being on the other side of the living room — an open archway separating the two. The same floor plan is generally repeated upstairs.
Single houses have side porches — oops, pardon, I mean piazzas. Accessible via the aforementioned door on the street-side of the house, the piazza is strategically placed on the long side of the house to increase the odds of catching a cool breeze— definitely a factor to consider in a city that gets so hot and muggy during summers. They are also a pretty sweet spot to enjoy a cup of tea or an afternoon snooze!
If you are looking for a Charleston single to call your own, stop by The Real Estate Studio where our experienced, professional agents are always here to answer questions or show property.
In a city as old as Charleston, it is no surprise we have a few lingering spirits. Here our some of our favorite Holy City haunted tales as well as some events you can enjoy this Halloween season.
1. Old Jail
One of the most popular Charleston ghost tales is of Lavinia Fisher who is suspected of still haunting the Old Jail. Lavinia and her husband John owned the Six Mile House right outside of Charleston where weary travelers could stop and spend the night. It is reported that the couple would poison guests and send them to bed over a trap door where they would wait until the traveler was asleep then pull the trap door releasing the bed and the guest. John Peoples was the lucky soul who claims he escaped the twisted couple. By denying Lavinia’s special tea he was able to get out the window after the bed fell through floor and ran to police who after investigation found the bodies of multiple missing people. The couple was found guilty and sentenced to the gallows. In South Carolina at the time, a married women could escape the death penalty, but the judge squashed that plan and and hung John first which made Lavinia a widow and eligible to hang. It’s said that Lavinia wore a wedding dress to her hanging, hoping her beauty and the pity of her state would cause some man in the crowd to swoon, and marry her at the last moment. Unsuccessful, when she realized that wasn’t going to happen, her mood quickly changed. They had to drag her up on the gallows, kicking and screaming.
This 1888 Victorian home now houses a great Southern restaurant, Poogan’s Porch, but it was the former residence of Zoe Amand, a spinster schoolteacher who died on the second floor of the home in 1954. Outside observers and hotel guests at The Mills House across the street have reported seeing her inside the restaurant after it is closed.
122 East Bay Street once imprisoned many pirates and patriots as they were awaiting execution. Prisoners were chained and starved and their moans were heard throughout the dungeon. Staff members to this day have reported hearing these moans as well as eerie footsteps on the upper floors.
At 20 South Battery, several ghosts sightings have been reported at this 1843 inn. Room Eight is said to be the home to the Headless Torso, reputedly a Civil War soldier, a terrifying apparition which moans menacingly. Room Ten has a spirit known as the Gentleman Caller, who is a spectral presence which is fond of ladies who stay in the room, often lightly petting their hair as they sleep.
This building has been around since 1809 and has an incredibly rich history. It began as a theatre that suffered from a fire bringing actors and audience members to their death. The Planter’s Hotel was built on the property shortly after the catastrophe and was then converted back into a theatre we still enjoy today. Performers and spectators alike have claimed to see spirits wandering around and even out on the stage.
See for yourself, check out Dracula, King of the vampires on stage now at the theatre.
Have we sparked your curiosity? Contact Bull Dog Tours for their Ghost & Gaveyards Tour or check out the Old Jail Tour and see the ghost of Lavinia Fisher yourself! Looking for something appropriate for the kiddos? Try Family Fright Nights at Magnolia Planation or The Boone Hall Pumpkin Patch & Maze. Happy Halloween in the Holy City!
It’s National Poetry Month! To celebrate, we’d love to share Dusk, a beautiful piece by DuBose Heyward, whose 1925 novel Porgy later inspired the 1935 Opera Porgy and Bess with music by George Gershwin. Heyward was born in 1885 in Charleston, and it appears from his work that he knew and loved our city well.
Dusk by DuBose Heyward
They tell me she is beautiful, my City,
That she is colorful and quaint, alone
Among the cities. But I, I who have known
Her tenderness, her courage, and her pity,
Have felt her forces mold me, mind and bone,
Life after life, up from her first beginning.
How can I think of her in wood and stone!
To others she has given of her beauty,
Her gardens, and her dim, old, faded ways,
Her laughter, and her happy, drifting hours,
Glad, spendthrift April, squandering her flowers,
The sharp, still wonder of her Autumn days;
Her chimes that shimmer from St. Michael‘s steeple
Across the deep maturity of June,
Like sunlight slanting over open water
Under a high, blue, listless afternoon.
But when the dusk is deep upon the harbor,
She finds me where her rivers meet and speak,
And while the constellations ride the silence
High overhead, her cheek is on my cheek.
I know her in the thrill behind the dark
When sleep brims all her silent thoroughfares.
She is the glamor in the quiet park
That kindles simple things like grass and trees.
Wistful and wanton as her sea-born airs,
Bringer of dim, rich, age-old memories.
Out on the gloom-deep water, when the nights
Are choked with fog, and perilous, and blind,
She is the faith that tends the calling lights.
Hers is the stifled voice of harbor bells
Muffled and broken by the mist and wind.
Hers are the eyes through which I look on life
And find it brave and splendid. And the stir
Of hidden music shaping all my songs,
And these my songs, my all, belong to her.
Get Inspired by Charleston Poetry
Charleston, by Henry Timrod
Poems for Charleston, In Honor of Emanuel AME Church
Modern Works by Charleston Poets